supersonicart:

Josh Keyes’ “Tempest” at Thinkspace Projects.

Opening on Saturday, October 13th, 2018 at Thinkspace Projects in Los Angeles, California is artist Josh Keyes’ exceptional solo exhibition, “Tempest.”

Keyes creates lush, hyperrealistic paintings of our civilization’s dystopian aftermath; a post-human planet left ecologically ravaged and dissipated, sits aflame, overgrown or beneath water, while a new natural order attempts to reclaim its disastrous inheritance. In recent years, Keyes has abandoned the minimalism of his precise, dioramic disaster taxonomies in favor of a more immersive and expanded pictorial frame. These works depict entire environments rather than only its cross-sections in a not-so-distant future state of ecological ruin. Keyes has mastered the satirical posturing of hyperbole as fact with a world so convincingly rendered, and so disastrously surreal, that fantasy becomes alarmingly plausible. In “Tempest,” Keyes conjures an insolvent wilderness facing the eye of a final storm.

The exhibition will be on view until November 3rd, 2018 and should be sought out if in the area.


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(Source: supersonicart.com)

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anticapitilizationbureau asked:

How would you die in Charlie and the Chocolate Factory?

pukicho Answer:

Bullet to the head

crossconnectmag:

TOTAL CONTROL
by Andrew Fairclough

Andrew Fairclough is a Los Angeles based Australian Illustrator, Designer and Art Director. After a misspent youth completing a Business Degree, Andrew moved on to designing skate and snowboard graphics in between bouts of self-instruction and full time work in a design agency.

Andrew’s work is inspired by mid-century spot illustrations and design as well as vintage sci-fi, comics, surrealism, DIY art culture, and the textural wonders of degraded print. Often working with a restricted colour palette Andrew’s work seeks to hint at the nostalgia and tactility of found art, whilst also creating something completely new.

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crossconnectmag:

Anna Malina:  Experimental Gif Maker

From Germany, the work of this prolific self taught gif artist has a direct lineage to experimental filmmakers like Maya Deren and Kenneth Anger.  These references would be familiar to her since she is a self described film addict and intellectual  who admires Muybridge’s motion studies and has written about Barthes views on film.  The imagery in her work has a timeless quality to it.  Sometimes is seems to be autobiographical and of the moment but at other times it has a historical feel, all with her distinct style.

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